The Golden Rule: SHOTLIST Final - Bella Paton

Shot duration:	Shot Description: i.e. Shot type, angle, camera movement, Scene #	Notes: Include any relevant notes i.e. lighting, description of action. Additional notes should be added as each shot is gathered.
2 seconds	Straight on angle Still camera Long shot scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting Action Charlie’s Old sprite pulls up in a dark and dingy street.  Additional  Voice over of Charlie: “0240 hours. Wednesday morning…”
2 seconds	High angle  Still camera  Extreme close up Scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting  Action Charlie is writing on notepad  Additional Voice over: “July 16th, 1958.”
5 seconds	High angle  Still camera  Mid shot Scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting  Action Charlie puts notepad in her briefcase and gets out of the car.  Additional Voice over: “Potential criminal suspect has made their way to Grim Lane.”
5 seconds	Straight on angle  Mid shot  Panning camera  Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting  Action Charlie is against a wall listening to a conversation the camera pans away from Charlie around a corner to where two men are having a conversation.
2 seconds	Straight on angle  Mid shot  Still camera  Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting  Action Two men are having a conversation. It is a worker at an illegal money making factory and a hit man. The worker goes by the name of Carl.
6 seconds	Straight on angle  Close up  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting Action Carl talks closely to the other. Carl: “Max Patterson. 30 years old. Some say that he almost found our spot,”
3 seconds	Long shot  Straight on angle  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting.  Action Carl: “So we’re suspicious. Just kill him.” Carl walks down an alley way, the other walks away.
2 seconds	Close up  Straight on  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting.  Action Charlie watches Carl go and follows him.
2 seconds	Extreme close up  Straight on  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional Low exposure  Action A door knob turns and Carl enters into a room. Charlie holds the door after him and walks in.
2 seconds	Long shot  High angle  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional  Low exposure.  Action  Charlie follows Carl up the stairs
2 seconds	Long shot  Straight on  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional  Low exposure.  Action  Charlie follows Carl up a final set of stairs.
3 seconds	Long shot  Straight on  Still camera Scene 2 The top room in the borders area	Lighting Bright shadowy lighting  Additional  Low exposure  Action  A printing company comes into view. You see the Carl walk in followed by Charlie. Carl takes his seat.
2 seconds	Close up  Straight angle  No movement Scene 2 The top room in the borders area	Lighting Bright shadowy lighting  Additional  Low exposure  Action  Charlie looks around.
3 seconds	Long shot—> close up Straight angle  Camera moving as if walking Scene 2 The top room in the borders area	Lighting Bright shadowy lighting  Additional  Low exposure  Action  From a workers perspective Charlie is approached. A voice from the worker (Employee 1) says “Hurry up, you’re late.”
2 seconds	Mid shot  Straight angle  No movement  Scene 2 The top room in the borders area	Action  From Charlie’s perspective she looks at the worker. While this is happening the worker says “Nice disguise, but its your first day in business…”  Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Mid shot  Straight on angle  No movement  Scene 2 The top room in the borders area	Action (From the workers perspective) she speaks to Charlie, looking at her. She continues: “Learn to be more prompt.”  Lighting Bright shadowy lighting  Additional  Low exposure.
1 seconds	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Charlie’s eyes look around  Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Click of veronicas heels  Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Shuffling and cutting up of fake money (examining bills, printing sheets etc…  Lighting Bright shadowy lighting  Additional  Low exposure
1 seconds	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Charlie’s eyes look around Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Click of veronicas heels  Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Extreme close up  No movement  Straight on angle.  Scene 2 The top room in the borders area	Action  Shuffling and cutting up of fake money (examining bills, printing sheets etc…  Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Mid shot  Panning camera  Straight on angle Scene 2 The top room in the borders area	Action  Panning up of camera from Veronica’s  feet to her face. Veronica walks towards  the work bench  Lighting Bright shadowy lighting  Additional  Low exposure
5 seconds	Mid shot  Straight angle  No movement  Scene 2 The top room in the borders area	Lighting Bright shadowy lighting Additional  Low exposure  Action  Employee 1 takes Charlie to a desk. Employee 1: “Sit still don’t talk
2 seconds	Close up  Straight angle  No movement  Scene 2 The top room in the borders area	Lighting Bright shadowy lighting  Additional  Low exposure  Action  Charlie sits down at desk.
5 seconds	Mid shot  Still camera  Straight on angle Scene 2 The top room in the borders area	Action  Veronica holds up 2 100 dollar notes to employee two. Veronica: “Real Australian bill fake Australian bill, can you see the difference? No? YOUR AN IDIOT!” Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Close up  Still camera  High angle Scene 2 The top room in the borders area	Action  Veronica slams the fake money down on the table in anger  Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Extreme close up  Still camera  Straight on angle. Scene 2 The top room in the borders area	Action  Charlie looks at Veronica Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Mid shot  POV camera  Straight on.  Scene 2 The top room in the borders area	Action (From Anna’s perspective) Anna is walking into the room. Lighting Bright shadowy lighting  Additional  Low exposure
4 seconds	Mid shot POV camera  Straight on Scene 2 The top room in the borders area	Action (From Annas perspective) Anna walks through the small factory up to Veronica. Anna: “Veronica!” Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Close up  Straight on Still camera Scene 2 The top room in the borders area	Action Veronica looks surprisedly at Anna Lighting Bright shadowy lighting  Additional  Low exposure
9 seconds	Close up Straight angle No movement  Scene 2 The top room in the borders area	Action (From Veronicas perspective Anna says “We’ve got a new shipment of paper and its 100% foolproof. Would you come over and help me bring them in please.” Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Close up Straight angle No movement  Scene 2 The top room in the borders area	Action Anna and Veronica walk away  Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Close up Straight angle No movement  Scene 2 The top room in the borders area	Action Anna looks back Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Close up Straight angle No movement  Scene 2 The top room in the borders area	Action Employee 2 looks relieved Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Mid shot Straight on Still Scene 2 The top room in the borders area	Action  Anna walks back walking past Charlie Lighting Bright shadowy lighting  Additional  Low exposure
1 second	Close up Straight on Still camera Scene 2 The top room in the borders area	Action  Anna turns towards Charlie noticing she is not doing anything and slams her hand down on her desk.   Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Close up Still camera  Low angle Scene 2 The top room in the borders area	Action  Anna smiles down at Charlie, then looks stern. Anna says: “Get back to work”  Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	High angle Still camera Mid shot. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  Charlie is sitting in the car writing in a notepad  Additional (Voice over is talking about his experience: “July 23rd 1958”
2 seconds	High angle Still camera  Extreme close up. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  Charlie is writing on notepad  Additional  Voice over: “Situation and procedure hasn’t gone to plan.”
3 seconds	High angle Still camera Mid shot,  Scene 3 Libby’s house	Lighting Shadowy lighting  Action Charlie puts notepad in her briefcase  Additional  Voice over: “Criminal suspect has been identified as working for a money forging business.”
2 seconds	Straight on Mid shot Still camera. Scene 3 Libby’s house	Lighting Bright Shadowy lighting Action Anna, In Charlie’s house watches her get home through her window. She closes the blinds
4 seconds	Straight on Mid shot Still camera. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  The door is half open and Charlie goes to open the door slowly
1 second	Straight on Ext close up No movement. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  Charlie’s hand pushes open the door
5 seconds	Straight on  Panning movement Long shot, Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Charlie walks in light comes on Anna is revealed to be standing at Charlie’s pool table, about to take a shot.
2 seconds	Straight on No movement Close up Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Charlie looks confused as to why Anna is there
2 seconds	Straight on No movement Close up. Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Anna smirks at Charlie.
2 seconds	Straight on No movement Close up, Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie holds a gun behind his back.
3 seconds	(From Annas perspective)  Straight on shot  No movement. Close up Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie walks towards Anna who is standing at pool table.
4 seconds	Straight on  Pan down to her hands as she hits pool balls Mid shot Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Anna hits pool balls. Anna says: “Took you long enough”
4 seconds	Mid shot Straight on No movement. Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie walks to the pool sticks, picks one up and returns to the table.
10 seconds	Close up Panning  High angle—> Low angle.” Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Anna slides a cop badge across the table. Camera pans up to her face. Anna: ““I want you to do something. You are good at what you do. Let’s see how good you really are. I’ve been in this business long enough, I live for control over it. You are going to find out everything you can about Veronica.”
2 seconds	Mid shot Straight on Still  Scene 3 Libby’s house	Action  Anna smiles. Anna: “So, tell me Officer; what do you say? You know Veronica wouldn’t like the fact that you have… authoritative connections?” Camera pans down to her hands she hits the ball.  Lighting Bright lights shadowy
4 seconds	Close up  High angle  No movement. Scene 3 Libby’s house	Action  Charlie pours two drinks  Lighting Bright lights shadowy
4 seconds	Close up  High angle  No movement. Scene 3 Libby’s house	Lighting Bright lights shadowy  Action Charlie hands Anna a drink and clinks her glass reluctantly.
4 seconds	Mid shot  High angle Still  Scene 3 Libby’s house	Action  Anna knocks another ball into a hole in one  Lighting Bright lights shadowy
1 second	Extreme close up  Straight on angle Still Scene 4 The top room in the borders area	Action  Charlie eyes Anna  Lighting Bright lights shadowy
1 second	Extreme close up Straight on angle Still Scene 4 The top room in the borders area	Action  Anna Eyes Charlie  Lighting Bright lights shadowy
2 seconds	Mid shot Straight angle No movement  Scene 4 The top room in the borders area	Action  Anna walks over to Charlie Lighting Bright lights shadowy
1 second	Close up High angle No movement  Scene 4 The top room in the borders area	Action  A piece of paper with coordinates are shown being placed on Charlie’s desk Lighting Bright lights shadowy
2 seconds	close up High angle Still Scene 4 Libby’s house	Action  Charlie write information about Anna in a notepad.  Lighting Bright lights shadowy
2 seconds	Mid shot Straight on No movement  Scene 4 Ally way in Tedder avenue	Action  Anna is standing alone in an alleyway, Charlie walks past her and hands her a folder  Lighting Dark shadowy lighting.
2 seconds	Extreme close up No movement Straight on  Scene 4  Ally way in Tedder avenue	Action  There is a shot of veronicas name in a small label on the folder Lighting Dark shadowy lighting
2 seconds	Mid shot POV Camera Straight on Scene 4 The top room in the borders area	Action  From Veronicas perspective she notices that Anna is putting something on Charlies desk Lighting Bright lights shadowy
2 seconds	Close up Straight on No movement Scene 4 The top room in the borders area	Veronica frowns at this  Lighting Bright lighting with shadows
4 seconds	Close up  High angle Panning movement.  Scene 4 The top room in the borders area	Action  Anna smiles at a ring puts a note with a name and address into an envelope. The camera pans up to her face after she has does this. She is smiling. This is a pitmans next hit. Lighting Bright lights shadowy
3 seconds	Mid shot Straight angle No movement  Scene 4 The top room in the borders area	Action  Anna walks up to a hit man (Hit man 1) in the office who is holding a gun. She hands him the envelope and says “I will deliver the ring it will make him a easier target to identify. I suspect Jonah Patterson knows too much about our business.”  Lighting Bright shadowy lighting
2 seconds	Close up Still camera High angle Scene 4 The top room in the borders area	Action  Anna places another coordinate onto Charlie’s table.  Lighting Bright shadowy lighting
3 seconds	Mid shot  Panning camera High angle Scene 4 Libby’s house	Action  Charlie is sitting in her house. From Behind Charlie’s head she is looking at a police badge and a notebook against stacks of money Lighting Bright shadowy lighting
1 second	Close up  High angle Still camera Scene 4 Libby’s house	Action  Charlie puts her head in his hands frustrated  Lighting Bright shadowy lighting
3 seconds	Close up Slightly high angle POV camera Scene 4 The top room in the borders area	Action  Veronica looks around a doorframe of stairs and notices Charlie and Anna talking on the stairs  Lighting Bright Shadowy lighting
2 seconds	Close up Straight on Still camera Scene 4 The top room in the borders area	Action  Veronica frowns at the two on the stairs  Lighting Bright shadowy lighting
2 seconds	Mid shot Slightly low angle Still camera Scene 4 The top room in the borders area	Action  Veronica looks behind her at Charlie’s table  Lighting Bright shadowy lighting
2 seconds	Low angle Close up Still camera Scene 4 The top room in the borders area	Action  From the perspective of Charlie’s desk Veronica walks over and picks up the coordinates Charlie left on his table  Lighting Bright shadowy lighting
1 second	High angle Close up Still camera Scene 4 The top room in the borders area	Action  The coordinates are seen in Veronicas hand  Lighting Bright Shadowy lighting.
1 second	Straight on angle Extreme close up Still camera Scene 4 An ally way in Tedder Avenue	Action  A ring is seen on a Jonah Pattersons hand hand  Lighting Dark shadowy lighting
2 seconds	Straight on angle Mid shot Still camera  Scene 4 An ally way in Tedder Avenue	Action  Jonah Patterson through an alleyway. Another man (hit man 1) is seen closer to the camera hiding from view from theJonah Patterson. He is holding a gun. He goes to aim his gun at Jonah Patterson who walking through the alleyway  Lighting Dark shadowy lighting
1 second	Close up Straight on angle Still camera Scene 4 An ally way in Tedder Avenue	Action  The man positions the gun and shoots  Lighting Dark shadowy lighting
4 seconds	Mid shot Straight on angle Still camera  Scene 4 An ally way in Tedder Avenue	Action  Jonah Patterson in the ally falls to the ground with his hand near the camera. Annas feet appear and she bends over and pulls the ring off the mans finger Lighting Dark shadowy lighting
3 second	High angle Close up Panning camera  Scene 4 The top room in the borders area	Action  The camera pans over files and photos of Anna and Charlie. Veronica is standing over it Lighting Dark shadowy lighting
1 second	Low angle Close up Still camera Scene 4 The top room in the borders area	Action  Veronica frowns down at the information Lighting Dark shadowy lighting
3 seconds	High angle Mid shot Still camera  Scene 4 The top room in the borders area	Action  Veronica leans over a piece of paper and writes something on it Lighting Dark shadowy lighting
6 seconds	High angle Close up Panning and POV camera Scene 4 The top room in the borders area	Action  Veronica places coordinates on Annas desk, while she isn't there. Camera pans from her hands to her face.  Lighting Bright shadowy lighting
2 seconds	Straight on angle Mid shot Still camera Scene 4 The top room in the borders area	Action  Anna sits down at her desk and looks down at the coordinate Lighting Bright shadowy lighting
1 second	High angle Close up Still camera Scene 4 The top room in the borders area	Action  Anna traces the coordinate with her hand Lighting Bright shadowy lighting
1 second	Straight on angle Mid shot Still camera Scene 4 The top room in the borders area	Action  Anna looks suspiciously down at the note Lighting Bright shadowy lighting.
4 seconds	Mid shot High angle Still camera Scene 4 Libby’s house	Action  Charlie is writing in her notebook. Then decides she will rip it up. Lighting Bright shadowy lighting
2 seconds	Straight on angle Mid shot Still camera  Scene 5 The top room in the borders area	Action  The whole office is seen Anna walks up to Charlie who is sitting at her desk Lighting Bright shadowy lighting.
2 seconds	Straight on angle Close up Still camera Scene 5 The top room in the borders area	Action  Anna places coordinate on Charlies desk and leans over. “This isn't your hand writing.”  Lighting Bright shadowy lighting
10 seconds	High angle Close up Still camera Scene 5 The top room in the borders area	Action  The paper is seen and Anna is pointing at it. Her voice over the top Whispers:“Someone is trying to mess with us. Just be cautious.” Bright shadowy lighting
4 seconds	Straight on angle  Mid shot  Still camera Scene 5 The top room in the borders area	Action  Anna is seen from the front walking away from Charlie. Charlie says “hey,” Anna spins around  Lighting Bright shadowy lighting
6 seconds	Straight on angle Mid shot Still camera Scene 5	Action  From behind Annas back we see Charlie speaking to her. He says “When you’re in charge… when we’re in charge… I’m going to get a triple raise, right?”  Lighting Bright shadowy lighting
4 seconds	Straight on angle Mid shot Still camera Scene 5 The top room in the borders area	Action  Anna’s walks away from Charlie. Charlie returns (from behind her) to her work.  Lighting Bright shadowy lighting.
2 seconds	Straight on angle Mid shot Still camera Scene 5 The top room in the borders area	Action  Charlie looks down at his desk noticing a ring on the table.  Lighting Bright shadowy lighting
1 second	High angle Close up Still camera Scene 5 The top room in the borders area	Action  Charlie picks up the ring  Lighting Bright shadowy lighting
2 seconds	Straight on angle angle Close up Panning camera Scene 6 An ally way in Tedder Avenue	Action  A gun lies on the seat of a car. The camera pans from the gun to Annas smiling face as she picks it up and exits the car. Lighting Dark shadowy lighting
2 seconds	Straight on angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  Anna takes the gun and walks towards a figure standing in an alleyway.  Lighting Dark shadowy lighting
2 seconds	Straight on angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  Charlie slams her car door shut.  Lighting Dark shadowy lighting
4 seconds	Straight on angle close up shaky camera Scene 6 An ally way in Tedder Avenue	Action Veronica slams Anna against a wall snatches her gun off her and puts her gun to her head. Veronica: “What… is going on!?” Lighting Dark shadowy lighting
5 seconds	Straight on angle close up shaky camera Scene 6 An ally way in Tedder Avenue	Action Anna looks flightendly at Veronica. Anna:“Ive always been loyal to you Veronica can you just trust me on this one!?” Lighting Dark shadowy lighting
5 seconds	Straight on angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action Veronica calms down and they retreat back from each other. Veronica hands back her gun. Lighting Dark shadowy lighting
3 second	Straight on angle Mid shot POV camera Scene 6 An ally way in Tedder Avenue	Action  Charlie walks up to two figures in the distance.  Lighting Dark shadowy lighting
2 seconds	Straight on angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  Anna and Veronica watch Charlie walk up to them. (The two women’s perspective) Lighting Dark shadowy lighting
2 seconds	Straight on angle Mid shot POV camera Scene 6 An ally way in Tedder Avenue	Action  From behind Charlie’s head as he walks up to Anna, Anna Raises a gun.  Lighting Dark shadowy lighting
3 seconds	Straight on angle  Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  From behind Anna and Veronicas heads Charlie is seen looking confused. Veronica is smirking behind Anna. Charlie says “Anna it’s just me!” Lighting Dark shadowy lighting
2 seconds	Slightly low angle Mid shot POV camera Scene 6 An ally way in Tedder Avenue	Action  From behind Charlie’s head Anna glances at her gun then says “I know its just you Charlie” Lighting Dark shadowy lighting
2 seconds	Slightly high angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  From behind Anna and Veronica makes a motion to surrender he looks confused and asks Anna: “What are you doing?” Lighting Dark shadowy lighting
4 seconds	Slightly low angle  Mid shot Canted angle POV camera Scene 6 An ally way in Tedder Avenue	Action  From behind Charlie’s head (perspective) Anna smiles at Charlie and asks “Whats in your pocket Charlie.” Lighting  Dark shadowy lighting
4 seconds	Slightly high angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  Charlie slowly pulls the ring out of his pocket looking confused.  Lighting  Dark shadowy lighting
3 seconds	Slightly low angle Mid shot Canted angle POV camera Scene 6 An ally way in Tedder Avenue	Action (Annas perspective) Charlie takes a deep breath Lighting  Dark shadowy lighting
10 seconds	Slightly low angle Mid shot Canted angle POV camera Scene 6 An ally way in Tedder Avenue	Action (Charlie’s perspective) Anna raises the gun sternly again then Anna says: “You know what the ring means right Charlie? It’s the death ring.” She pulls the trigger. Charlie falls out of the shot. Anna whips around facing Veronica with the gun.  Lighting  Dark shadowy lighting
5 seconds	Slightly low angle Mid shot Canted angle POV camera Scene 6 An ally way in Tedder Avenue	Action  From Annas perspective: Veronica looks confused. Veronica: “What are you doing?” Lighting  Dark shadowy lighting
3 seconds	Slightly high angle Mid shot Still camera Scene 6 An ally way in Tedder Avenue	Action  From veronicas perspective: Anna says “God it feels good to be powerful.” She pulls the trigger and Veronica falls out of the shot.  Lighting  Dark shadowy lighting
5 seconds	Straight on angle Close up Still camera Scene 6 An ally way in Tedder Avenue	Action  Charlie lies dead on the ground. Veronica is in the background  Anna bends down and pulls the ring out of her hand and puts it on her own hand.  Lighting  Dark shadowy lighting
6 seconds	Mid shot Straight on angle Still camera Scene 6 An ally way in Tedder Avenue	Action  Anna with the two bodies lying at her feet steps over them. Lighting  Dark shadowy lighting
10 seconds	Close up Straight on angle Still camera Scene 6 An ally way in Tedder Avenue	Action  Anna walks into a phone booth. She says: “Grim Lane, get the bodies out. Now.” fade out.  Lighting  Dark shadowy lighting
5 seconds	Close up Straight on angle  POV shot Scene 7 An ally way in Tedder Avenue	Action  Anna walks into the office. With a fake innocent smile (that is mildly terrifying) (Annas perspective) Lighting  Dark shadowy lighting
5 seconds	Mid shot Straight on angle  Still Scene 7 The top room in the borders area	Action  Anna smiles at the company working in front of her knowing she is in control. Fade out Lighting  Dark shadowy lighting